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vasari preface to the lives summary

V. DIE VI. The year afterwards, 1013, it is clear that the art had regained some of its vigour from the rebuilding of that most beautiful church, S. Miniato in Sul Monte, in the time of Messer Alibrando, citizen and Bishop of Florence; for the reason that, besides the marble ornaments that are seen therein both within and without, it may be seen from the façade that the Tuscan architects strove as much as they could in the doors, the windows, the columns, the arches, and the mouldings, to imitate the good order of the ancients, having in part recovered it from the most ancient temple of S. Giovanni in their city. It was forbidden by public decree that slaves should exercise this art throughout the cities, and so much honour did the nations pay without ceasing to the art and to the craftsmen that the rarest works were sent among the triumphal spoils, as marvellous things, to Rome, and the finest craftsmen were freed from slavery and recompensed with honours and rewards by the commonwealths. And that this is true is manifest, because the Church of the Prince of the Apostles on the Vatican was not rich save in columns, bases, capitals, architraves, mouldings, doors, and other incrustations and ornaments, which were all taken from various places and from the edifices built most magnificently in earlier times. Nay more, it not only destroyed, in order to build the churches for the Christian use, the most honoured temples of the idols, but in order to ennoble and adorn S. Pietro (to say nothing of the ornaments which had been there from the beginning) it also robbed of its stone columns the Mausoleum of Hadrian, now called the Castello di S. Angelo, and many other buildings that to-day we see in ruins. Preface to the Lives. Did you find something inaccurate, misleading, abusive, or otherwise problematic in this essay example? This Bertrid, being restored to his throne after the death of Grimoald, erected, also in Pavia, a monastery for nuns called the Monasterio Nuovo, in honour of Our Lady and of S. Agatha; and the Queen erected one without the walls, dedicated to the "Virgin Mary in Pertica." (Translated by Gaston du C. de Vere.) But because not the making of statues but their adoration was a deadly sin, we read in Exodus that the art of design and of statuary, not only in marble but in every kind of metal, was bestowed by the mouth of God on Bezaleel, of the tribe of Judah, and on Aholiab, of the tribe of Dan, who were[Pg xxxix] those that made the two cherubim of gold, the candlesticks, the veil, the borders of the priestly vestments, and so many other most beautiful castings for the Tabernacle, for no other reason than to bring the people to contemplate and to adore them. Of sculptures, likewise, they made an infinity, as may still be seen in low-relief over the door of S. Michele in the Piazza Padella of Florence, and in Ognissanti; and tombs and adornments in many places for the doors of churches, wherein they have certain figures for corbels to support the roof, so rude and vile, so misshapen, and of such a grossness of manner, that it appears impossible that worse could be imagined. Artistic Biographer: Biogrpahies are one way to learn about the lives of people that lived in the past. In the same Greek manner and about the same time were the seven abbeys that Count Ugo, Marquis of Brandenburg, caused to be built in Tuscany, as can be seen in the Badia of Florence, in that of Settimo, and in the others; which buildings, with the remains of those that are no longer standing, bear testimony that architecture was still in a measure holding its ground, although greatly corrupted and far removed from the good manner of the ancients. For more information on choosing credible sources for your paper, check out this blog post. In it Vasari offers his own critical history of Western art through several prefaces and a lengthy series of artist … It is true, indeed, that in the said times architecture had suffered less harm than the other arts of design had suffered, for in the bath that Constantine erected on the Lateran, in the entrance of the principal porch it may be seen, to say nothing of the porphyry columns, the capitals wrought in marble, and the double bases taken from some other place and very well carved, that the whole composition of the building is very well conceived; whereas, on the contrary, the stucco, the mosaics, and certain incrustations on the walls made by masters of that time are not equal to those that he caused to be placed in the same bath, which were taken for the[Pg xlv] most part from the temples of the heathen gods. Nay more, there had been lost at one and the same time all true men and every sort of virtue, and laws, habits, names, and tongues had been changed; and all these things together and each by itself had caused every lovely mind and lofty intellect to become most brutish and most base. The arts of design, then, having been brought to these limits both before and during the lordship of the Lombards over Italy and also afterwards, continued gradually to grow worse, although some little work was done, insomuch that nothing could have been more rudely wrought or with less design than what was done, as bear witness, besides many other works, certain figures that are in the portico of S. Pietro in Rome, above the doors, wrought in the Greek manner in memory of certain holy fathers who had made disputation for Holy Church in certain councils. In QUA DESCRIPTA APPARET PRÆFATA FUNDATIO ET CONSECRATIO FACTA PER ARCHIEPISCOPUM TURPINUM, TESTIBUS ROLANDO ET ULIVERIO this... 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